11 September 2011

September 11th

September 11th is my generation's national unifier. My parents' generation remembers where they were when Kennedy was shot, my grandparents' America was defined by World War II, and their parents' by the Great Depression and World War I. My generation won't look back at the Great Recession, or even the wars in Iraq or Afghanistan, as the formative experience in the formation of our America. We will forever be changed by the world stopping on one day ten years ago. When we're old, we'll tell the stories of where we were on that day, what we were doing when we heard the news or saw the Twin Towers collapse. And we'll talk about how that day changed the course of America forever. We may then mention, if we remember, what we were doing in May 2011 when Osama bin Laden was killed, and most of us will have forgotten that the Navy Seal team that killed him suffered casualties in Afghanistan shortly after.

But somehow, the emphasis that we place on 9/11 seems out of place. Perhaps it's the appropriation of the phrase "Never forget" as the mantra of "hunting down" the terrorists so they don't attack us again on "our soil." Growing up Jewish while there was an extreme push to get Holocaust survivors to tell their stories before they pass away, "never forget" is associated in my mind with the systematic massacre of 13 million people by the Nazis. And while the loss of life on 9/11 was a great tragedy, it doesn't register to me on the same level as the extermination campaigns of Adolf Hitler.

We are living in a time that we don't understand. The only constant is uncertainty, and we try to make meaning out of things by making analogies to previous things. We compare bin Laden to Hitler, we compare the Great Recession to the Great Depression, and we compare the technological boom with the industrial revolution. But the truth is we are living in the shadow of things past. And for me, the New Yorker cover Art Spiegelman made as a commemoration is still the most moving memorial of the events. So it is fitting that it later became the cover of his book In the Shadow of No Towers.

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